Subject Verb Agreement Of Notional Agreement And Proximity

For a discussion on the agreement with collective subversives (in American English and English English) see American English. It`s quite simple: is the third singular conjugation of the verb that corresponds to the student; are the plural conjugation of the third person that coincides with plural students. The number takes a singular verb, and a number takes a plural verb. Alternatively, cases of the use of a plural verb with a singular noun that suggests plurality because of its meaning and context are often reported. These names include couple, trio, crowd, family, crew, crowd, generation and committee. You might see a phrase like “The couple was seen, abandoned in a grey car” or “The crew was getting ready for departure,” where what is usually the singular subject (couple and crew) is associated with a plural verb (were). But there are times when the arrangement of what is considered an “agreement” is not so obvious, because what sounds like a single name is truly plural, or what sounds like a plural noun is essentially singular. This concept is called fictitious chord, also known as fictitious concord or synese. None takes a singular or a plural verb, depending on the noun following. In 2010, I wrote a column in which I outlined some of the many rules for agreement on topics, including this one: some frequent cases of fictitious agreement (1) of collective nouns (for example.

B “family”); (2) plural expressions of quantity (“five years”); (3) pluralistic nomads (“United States”); and (4) a few units composed with and (“Bed and Breakfast”). In Miss Thistlebottom`s Hobgoblins, Theodore Bernstein argues for a fictitious chord under “Number” without using the term. “Some people are very literal about grammatical numbers,” Bernstein writes. “They tend to focus on the exact word they consider to be the object of the sentence, if they sometimes look at the thought that the words or words represent.” In English grammar, the fictitious chord refers to the concordance (or concordance) of verbs with their subjects and pronouns with their noun predecessors on the basis of meaning and not grammatical form. Also known as Synese. (Other conditions for fictitious agreements include fictitious agreement, semantic agreement, ad sensum chord, logical agreement and constructio ad sensum.) Simply put, a fictitious chord occurs when the agreement between a subject and its verb (or, in some cases, a pronoun and its predecessor) is determined by meaning and not by form.